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PEACHES",[],[],[1048,1043,1049,129,130],"post-21962","type-event",{"start":1051,"end":1051,"title":10,"text":1052,"for_fans_of":10,"series":132,"poster":132,"image":132,"main":1053,"second":1116,"afterparty":1207,"running_order":132,"price_regular":1258,"price_solidarity":10,"petzi_id":1259,"vvk_sold_out":132,"box_office_sold_out":132,"agencies":132,"is_preview":132,"cancelled":132,"postponed":132,"place":1260,"notes_for_print":10,"icons":10,"show_artist_slider":150,"slider":1261,"legacy_image":132},"2016-11-19 22:00:00","\u003Cp>Klar stand die Botschaft im Vordergrund, nicht das Mittel sie zu übermitteln, als PEACHES anno 2000 mit ihrem Album «The Teaches of Peaches» die Bühnen erstürmte: Mit anzüglichen Texten und provokativem Auftreten machte sich die Kanadierin Merrill Nisker lustig über die übersexualisierte Musikszene, indem sie sich selbst als deren Objekt anpries – anfänglich im Verbund mit dem ebenfalls nach Berlin ausgewanderten Kanadier Chilly Gonzales, mit welchem sie in Toronto im Quartett The Shit aktiv gewesen war. Begleitet von selbst auf einem Roland Keyboard programmierter Lo-Fi-Begleitung besang sie «Lovertits», verlangte: «Fuck the Pain Away», und «Suck and Let Go» – und wurde mit ihrem Beitrag zur Disco-Welle zu einer Vorläuferin des Electro-Clash. 2009 erschien ihre Neu-Interpretation des Pink Floyd Klassikers «The Dark Side of the Moon» mit den Flaming Lips, unter anderen auch mit Henry Rollins, und 2010 brachte sie unter dem Titel «Peaches Christ Superstar» die bekannte Rock-Oper «Jesus Christ Superstar», lediglich mit der Klavierbegleitung wiederum von Chilly Gonzalez, auf die Bühne, wobei sie alle Rollen selbst sang. Derzeit lebt und arbeitet sie in Berlin, wo sie letzthin auch als Support von Rammstein aufgetreten ist. – Mit unterwegs ist Black Cracker: das Multitalent ist in der Konzept-Kunst, in Spoken Words\u002FSlam Poetry und in musikalischen Gefilden, von Rap\u002FHip Hop, Electro-Clash und Jazz hin zur Performance-Art gleichermassen zu Hause, ist unter anderen mit so diversen Leuten wie Bunny Rabbit, CocoRosie, Grand Piano Ramax und in Solo-Projekten in Erscheinung getreten, und lebt heute ebenfalls in Berlin. «Chasing Rainbows» (Songtitel) ist Statement und Programm. Eben erschienen ist das neue Album «Come As U R – I Am What I Am». – Die Europa-Tour führt die beiden in Bern zusammen mit der Französin Perrine en Morceaux, welche diesen Frühling, nach dem als USB-Stick in Pillenform im Eigenverlag publizierten «Contre le Futur», ihr neues Album «Rien» herausgebracht hat: «Ich fabriziere repetitive Musik mit dem, was mir in die Finger gerät, und in die Ohren, experimentiere mit Klang und Worten, mit einem Kopf, zwei Maschinen und drei Mikrophonen, auf der Suche danach, was «Pop» meinen könnte», wie sie ihre Musik beschreibt.\u003C\u002Fp>\n",[1054],{"id":1055,"title":1056,"type":1057,"slug":1058,"uri":1059,"short":1060,"meta":1061,"acf":1065},21959,"PEACHES","artist","peaches","\u002Fartist\u002Fpeaches","https:\u002F\u002Fdstck.club\u002F55c7",{"title":1056,"description":4,"image":1062,"canonical":1064,"keywords":125},{"ID":12,"id":12,"title":13,"filename":14,"filesize":15,"url":16,"link":17,"alt":10,"author":18,"description":10,"caption":10,"name":19,"status":20,"uploaded_to":21,"date":22,"modified":22,"menu_order":21,"mime_type":23,"type":24,"subtype":25,"icon":26,"width":27,"height":28,"sizes":1063},{"thumbnail":30,"thumbnail-width":31,"thumbnail-height":31,"medium":32,"medium-width":33,"medium-height":34,"medium_large":35,"medium_large-width":36,"medium_large-height":37,"large":38,"large-width":39,"large-height":40,"1536x1536":16,"1536x1536-width":27,"1536x1536-height":28,"2048x2048":16,"2048x2048-width":27,"2048x2048-height":28,"sharing":41,"sharing-width":27,"sharing-height":42,"event":16,"event-width":27,"event-height":28,"event_medium":16,"event_medium-width":43,"event_medium-height":44,"event_small":16,"event_small-width":45,"event_small-height":46,"event_teaser":16,"event_teaser-width":27,"event_teaser-height":28,"event_teaser_medium":16,"event_teaser_medium-width":47,"event_teaser_medium-height":48,"event_teaser_small":16,"event_teaser_small-width":49,"event_teaser_small-height":50},"http:\u002F\u002Fwww.dachstock.ch\u002Fartist\u002Fpeaches",{"source_id":1066,"country":1067,"labels":1068,"links":1075,"text":1088,"images":1089},"21959","CAN \u002F D",[1069,1071,1073],{"name":1070},"I U She Music",{"name":1072},"Kitty-Yo",{"name":1074},"XL RecordingS",[1076,1079,1082,1085],{"url":1077,"title":1078},"https:\u002F\u002Fsoundcloud.com\u002Fpeaches-rocks","Soundcloud",{"url":1080,"title":1081},"https:\u002F\u002Fwww.facebook.com\u002Fofficialpeaches\u002F?fref=ts","Facebook",{"url":1083,"title":1084},"https:\u002F\u002Fwww.youtube.com\u002Fuser\u002FPeachesTV","YouTube",{"url":1086,"title":1087},"http:\u002F\u002Fpeachesrocks.com\u002Frub-tv\u002F","Webseite","\u003Cp>\u003Cstrong>PEACHES – RUB\u003C\u002Fstrong>\u003C\u002Fp>\n\u003Cp>It’s been six years since Peaches released her last studio album. But far from being a break, these past six years have been some of the busiest and most productive in the provocative musician-producer-filmmaker-performance artist’s career. From acclaimed theater productions to her cinematic debut at the Toronto International Film Festival to the release of her first book, Peaches pushed herself further and with more artistic rewards than ever before during her time away from the studio. That work ethic should come as little surprise, though. This is Peaches we’re talking about, an artist who’s managed to wield immeasurable influence over mainstream pop culture while still operating from outside of its confines, carving a bold, sexually progressive path in her own image that’s opened the door for countless others to follow. Now, creatively refreshed and recharged, she’s emerged from the studio in rare form with ‘RUB,’ her fifth and most unequivocal album to date. It’s an adventurous, audacious musical statement, the latest entry in a conversation Peaches opened up 15 years ago and the world may just now have finally caught up with.\u003C\u002Fp>\n\u003Cp>“Since 2000, I’ve been making a record for a year, and then touring it for two years over and over,” Peaches explains of the impetus for her studio hiatus. “After 10 years of doing that, I needed a change. I didn’t feel like writing another album and touring it for two years again, so I was really excited to try new projects.”\u003C\u002Fp>\n\u003Cp>That desire led to her one-woman production of ‘Jesus Christ Superstar,’ redubbed ‘Peaches Christ Superstar’ and mounted initially in Berlin before touring the world. “It was an endurance performance,” she explains, “and a time for me to celebrate my actual singing voice, which I never pursued as Peaches.”\u003C\u002Fp>\n\u003Cp>The Guardian hailed it as “killer,” raving that “Peaches gets into the guts of the songs, extracting with utter sincerity every ounce of pathos and comedy,” while SPIN praised the production’s “absurd beauty” and The Globe and Mail applauded her vocals, which “explode[d] with soulful power.”\u003C\u002Fp>\n\u003Cp>Critics’ surprise may have stemmed from the fact that Peaches had spent the past decade pushing buttons and boundaries with a sexually-charged blend of electronic music, hip hop, and punk rock that she delivered via one of the most raw and creative stage shows in popular music. When she first emerged to international attention with ‘The Teaches of Peaches,’ her 2000 debut album, single “Fuck The Pain Away” catapulted her into the spotlight and appeared everywhere from Sofia Coppola’s ‘Lost In Translation’ and 30 Rock to South Park and HBO’s True Blood. Rolling Stone called the album “surreally funny [and] nasty,” and the Village Voice named it one of the year’s best. She followed it up with ‘Fatherfucker,’ which further challenged and reversed issues of gender politics and sexual identity and featured an appearance by Iggy Pop. She was joined by Joan Jett, Josh Homme, Beth Ditto, and more on her 2006 call to revolution, ‘Impeach My Bush,’ and by the time she returned with ‘I Feel Cream’ three years later, The New York Times had dubbed her a genuine “electro-clash heroine,” though she’d already transcended the genre tag and demonstrated an incisive artistic prowess far beyond her musical output. Uncut raved that her work brought together “high art, low humour and deluxe filth [in] a hugely seductive combination.”\u003C\u002Fp>\n\u003Cp>She looked back on it all in 2010 with ‘Peaches Does Herself,’ an electro-rock opera spanning material from all four albums arranged as a semi-autobiographical narrative. It morphed into a film of the same title, which premiered at the TIFF in 2012 before traveling to more than 60 festivals around the world over the next two years. In another unexpected twist, she sang the title role in a production of Monteverdi’s epic 17\u003Csup>th\u003C\u002Fsup>-century opera ‘L’Orfeo’ in Berlin, in addition joining Yoko Ono’s Plastic Ono Band for performances at the iconoclast’s request and collaborating with Major Lazer, Le Tigre, REM, and more.\u003C\u002Fp>\n\u003Cp>The whole period is documented beautifully in the new book ‘What Else Is In The Teaches Of Peaches,’ a collection of Holger Talinski’s photos from at home and on the road, on-stage and behind-the-scenes, as Peaches conquered new artistic heights. Yoko Ono, Ellen Page, and Michael Stipe all contributed to the text, which offers unique insight into a side of the artist the audience has rarely seen.\u003C\u002Fp>\n\u003Cp>‘RUB’ begins where the book leaves off, in 2014, as Peaches headed into her newly-built garage studio in Los Angeles to begin more than a full year of work on the album, collaborating with longtime friend Vice Cooler.\u003C\u002Fp>\n\u003Cp>“After six years, I was excited about my lyrics again, about what Peaches was,” she explains. “I felt more comfortable living out any idea I wanted to try. We spent ten hours a day making beats, and whatever stuck, I would write on and develop. The only agenda was to make the best album we could.”\u003C\u002Fp>\n\u003Cp>Oozing with seductive rhythms and bedroom-rattling bass, the record opens with the semi-spoken hook of “Close Up,” delivered with an inimitable and impenetrable cool by Sonic Youth’s Kim Gordon in just one take. Peaches’ old collaborator Feist also returns on album closer “I Mean Something,” singing a hypnotic hook and lending a chillingly beautifully wordless melody. But in between those two guest appearances, this album is pure Peaches.\u003C\u002Fp>\n\u003Cp>“Come with me \u002F You know me \u002F Feel free \u002F Peaches,” she raps with a hard-won swagger and confidence on the title track, which is as full of vivid, lewd imagery as anything she’s ever written. “Dick In The Air” flips gender roles with an absurdist twist, as Peaches preaches, “I’m sick of hands in the air \u002F And shake our asses like we don’t care \u002F We’ve been shaking our tits for years \u002F So let’s switch positions no inhibitions” before exhorting her audience to “put your dick in the air.” Similarly, on “Vaginoplasty,” she responds to a culture that measures manhood in inches but shames women for their sexuality with lines like “my pussy’s big and I’m proud of it…make you bow down to it til you drown in it.”\u003C\u002Fp>\n\u003Cp>It doesn’t stop at the music for Peaches, though. “I’m curating my whole visual lineup,” she explains of her plans to once again direct and present videos for every track on the album with a slew of collaborators. Margaret Cho, designer Sarah Sachs from Moonspoon Saloon, A.L Steiner, Ryan Heffington, Kim Gordon, Vice Cooler, and more are all on tap for contributions to the series.\u003C\u002Fp>\n\u003Cp>The gorgeous, throbbing “Light In Places” was written for performance artist Empress Stah and her ‘Stargasm’ show, the world’s only Laser Buttplug Aerial performance (“I’ve got light in places you didn’t know it could shine”), while “Sick In The Head” is a gritty electro-pop track influenced by Suicide, and the album’s two breakup songs—the dark and menacing “Free Drink Ticket” and the insanely catchy pop song “Dumbfuck”—find Peaches addressing issues far more personal than political.\u003C\u002Fp>\n\u003Cp>“In any relationship, there’s that moment everybody has when you find out something and want to kill the other person,” she explains. “You get over it, but I wrote ‘Free Drink Ticket’ in that moment. It’s the most vulnerable—and also the most angry—song I’ve written in my life.”\u003C\u002Fp>\n\u003Cp>The reality, though, is that everything is personal for Peaches. “When I started, half the people just weren’t having it, so it’s incredible where we are right now,” she says of her undeniable role in shaping of the current pop landscape. “But I didn’t do it for any reason other than that it was just what I really wanted to say.”\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp>And that’s what’s in the teaches of Peaches.\u003C\u002Fp>\n",[1090],{"image":1091,"copyright":10},{"ID":1092,"id":1092,"title":1093,"filename":1094,"filesize":1095,"url":1096,"link":1097,"alt":10,"author":433,"description":10,"caption":10,"name":1058,"status":20,"uploaded_to":1055,"date":1098,"modified":1099,"menu_order":21,"mime_type":23,"type":24,"subtype":25,"icon":26,"width":1100,"height":1101,"sizes":1102},21956,"Peaches","Peaches.jpg",1225636,"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2016\u002F06\u002FPeaches.jpg","https:\u002F\u002Fwww.dachstock.ch\u002Fartist\u002Fpeaches\u002Fpeaches\u002F","2016-06-30 14:59:39","2016-06-30 15:05:26",1600,901,{"thumbnail":1103,"thumbnail-width":31,"thumbnail-height":31,"medium":1104,"medium-width":33,"medium-height":1105,"medium_large":1106,"medium_large-width":36,"medium_large-height":1107,"large":1108,"large-width":39,"large-height":1109,"1536x1536":1096,"1536x1536-width":1110,"1536x1536-height":1111,"2048x2048":1096,"2048x2048-width":1100,"2048x2048-height":1101,"sharing":1096,"sharing-width":27,"sharing-height":42,"event":1096,"event-width":1100,"event-height":1101,"event_medium":1096,"event_medium-width":43,"event_medium-height":1112,"event_small":1096,"event_small-width":45,"event_small-height":1113,"event_teaser":1096,"event_teaser-width":1100,"event_teaser-height":1101,"event_teaser_medium":1096,"event_teaser_medium-width":47,"event_teaser_medium-height":1114,"event_teaser_small":1096,"event_teaser_small-width":49,"event_teaser_small-height":1115},"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2016\u002F06\u002FPeaches-150x150.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2016\u002F06\u002FPeaches-300x169.jpg",169,"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2016\u002F06\u002FPeaches-768x432.jpg",432,"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2016\u002F06\u002FPeaches-1024x577.jpg",577,1536,865,541,324,549,329,[1117,1164],{"id":1118,"title":1119,"type":1057,"slug":1120,"uri":1121,"short":1122,"meta":1123,"acf":1127},23208,"BLACK CRACKER","black-cracker","\u002Fartist\u002Fblack-cracker","https:\u002F\u002Fdstck.club\u002F5aa8",{"title":1119,"description":4,"image":1124,"canonical":1126,"keywords":125},{"ID":12,"id":12,"title":13,"filename":14,"filesize":15,"url":16,"link":17,"alt":10,"author":18,"description":10,"caption":10,"name":19,"status":20,"uploaded_to":21,"date":22,"modified":22,"menu_order":21,"mime_type":23,"type":24,"subtype":25,"icon":26,"width":27,"height":28,"sizes":1125},{"thumbnail":30,"thumbnail-width":31,"thumbnail-height":31,"medium":32,"medium-width":33,"medium-height":34,"medium_large":35,"medium_large-width":36,"medium_large-height":37,"large":38,"large-width":39,"large-height":40,"1536x1536":16,"1536x1536-width":27,"1536x1536-height":28,"2048x2048":16,"2048x2048-width":27,"2048x2048-height":28,"sharing":41,"sharing-width":27,"sharing-height":42,"event":16,"event-width":27,"event-height":28,"event_medium":16,"event_medium-width":43,"event_medium-height":44,"event_small":16,"event_small-width":45,"event_small-height":46,"event_teaser":16,"event_teaser-width":27,"event_teaser-height":28,"event_teaser_medium":16,"event_teaser_medium-width":47,"event_teaser_medium-height":48,"event_teaser_small":16,"event_teaser_small-width":49,"event_teaser_small-height":50},"http:\u002F\u002Fwww.dachstock.ch\u002Fartist\u002Fblack-cracker",{"source_id":1128,"place":1129,"country":354,"labels":1131,"links":1136,"text":1145,"images":1146},"23208",[1130],{"value":823,"label":823},[1132,1134],{"name":1133},"Mental Groove",{"name":1135},"Hinterhaus",[1137,1139,1141,1143],{"url":1138,"title":1078},"https:\u002F\u002Fsoundcloud.com\u002Fblackcracker",{"url":1140,"title":1081},"https:\u002F\u002Fwww.facebook.com\u002Fblckcrckr\u002F",{"url":1142,"title":1084},"https:\u002F\u002Fwww.youtube.com\u002Fchannel\u002FUCyhwyt3HauUDrkOTyutAgvg",{"url":1144,"title":1087},"http:\u002F\u002Fwww.blckcrckr.com\u002F","\u003Cdiv class=\"page\" title=\"Page 1\">\n\u003Cdiv class=\"section\">\n\u003Cdiv class=\"layoutArea\">\n\u003Cdiv class=\"column\">\n\u003Cp>Künstlerische Leitung Black Cracker Der Künstler Black Cracker (Ellison Glenn) wurde 1977 in Anniston, Alabama geboren und von seiner alleinerziehenden Mutter großgezogen. Er arbeitet\u003C\u002Fp>\n\u003Cp>interdisziplinär und zu seiner künstlerischen Praxis zählen Sound, Text, Video und Installationen. Er wuchs in Militärbasen in Texas, Deutschland und New Jersy auf. Nach einer langjährigen Schaulaufbahn studierte er 1996 bildende Künste an der Memphis College of Art. Er legte in seinen Studien besonderen Schwerpunkt auf Konzeptkunst und Kunstgeschichte. Nachdem er 1999 ein Stipendium für das New York Studio Program erhielt, brach er das College ab und wurde aktiver Künstler in New York.\u003C\u002Fp>\n\u003Cp>Abgeschreckt vom kommerziellen Kunstmarkt suchte und fand er seinen Platz als Künstler in der New Yorker Literaturszene. Er stach sowohl als preisgekrönter Poetry Slammer als auch als publizierter Dichter heraus und feierte national sowie internationale Erfolge. Seine Gedichte und Zeichnungen wurden 2011 von Bowery Poetry Books publiziert. Von 2000-2009 war Black Cracker zudem ein Aktivist und Bildungsbeauftragter und agierte als Mentor für viele Teenager in der Rolle des künstlerischen Leiters der Urban Word NYC (vorher Youth Speaks NYC).\u003C\u002Fp>\n\u003Cp>2004 begann Black Cracker sich intensiv mit der Musikproduktion zu beschäftigen und kollaborierte, produzierte und tourte mit vielen avantgardistischen Musikgruppen wie Cocorosie, Bunny Rabbit, und Raz Mesinai. Er ist derzeit Sänger der Band Grand Pianoramax, eines schweizerischen Jazztrios, sowie Kiku und an der Seite von Blixa Bargeld. 2014 gewann er den Preis des Musicboards Berlin. Black Cracker brachte 3 Sololabums heraus und tourt weltweit u.a. Als Support Act von der Peaches Europa- und Österreichtour.\u003C\u002Fp>\n\u003Cp>Er performte auch in Bühnen-und Theaterauftritten von Gritty Glamor, T\u002Fhe\u002Fy, und Boiband alle uraufgeführt in Berlin. 2016 liefen seine Videoarbeiten in der Deutschen Oper, in einer Interpretation von Mozart’s Cosi Fan Tutte als Teil der Aus Dem Hinterhalt Serie. Er führte auch musikalische Regie und performte auf der Main Stage der Deutschen Oper. Im selben Jahr performte und zeigte er Arbeiten in Zürich im Cabaret Voltaire im Rahmen des 100 Jährigen Dada Festival während der Manifesta 11. Er performte bereits auf dem ARTSPACE in Aukland, Neuseeland sowie auf dem Nu Performa Festival in Tallin, Estland. Auf der Documenta in Kassel 2017, performte er im Museum of New and Old in Hobart Tasmania. Black Cracker gewann 2014 den Musicboard Preis.\u003C\u002Fp>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003C\u002Fdiv>\n\u003Cp>\u003Cspan class=\"text_exposed_show\"> \u003C\u002Fspan>\u003C\u002Fp>\n",[1147],{"image":1148,"copyright":10},{"ID":1149,"id":1149,"title":1150,"filename":1151,"filesize":1152,"url":1153,"link":1154,"alt":10,"author":433,"description":10,"caption":10,"name":1155,"status":20,"uploaded_to":1118,"date":1156,"modified":1156,"menu_order":21,"mime_type":23,"type":24,"subtype":25,"icon":26,"width":1100,"height":1157,"sizes":1158},25318,"Credit Justine Olivia Tellier 10","Credit-Justine-Olivia-Tellier-10.jpg",623811,"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2016\u002F10\u002FCredit-Justine-Olivia-Tellier-10.jpg","https:\u002F\u002Fwww.dachstock.ch\u002Fartist\u002Fblack-cracker\u002Fcredit-justine-olivia-tellier-10\u002F","credit-justine-olivia-tellier-10","2018-08-28 09:39:17",1067,{"thumbnail":1159,"thumbnail-width":31,"thumbnail-height":31,"medium":1160,"medium-width":33,"medium-height":34,"medium_large":1161,"medium_large-width":36,"medium_large-height":37,"large":1162,"large-width":39,"large-height":40,"1536x1536":1153,"1536x1536-width":1110,"1536x1536-height":39,"2048x2048":1153,"2048x2048-width":1100,"2048x2048-height":1157,"sharing":1153,"sharing-width":1163,"sharing-height":42,"event":1153,"event-width":1100,"event-height":1157,"event_medium":1153,"event_medium-width":43,"event_medium-height":44,"event_small":1153,"event_small-width":45,"event_small-height":46,"event_teaser":1153,"event_teaser-width":1100,"event_teaser-height":1157,"event_teaser_medium":1153,"event_teaser_medium-width":47,"event_teaser_medium-height":48,"event_teaser_small":1153,"event_teaser_small-width":49,"event_teaser_small-height":50},"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2016\u002F10\u002FCredit-Justine-Olivia-Tellier-10-150x150.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2016\u002F10\u002FCredit-Justine-Olivia-Tellier-10-300x200.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2016\u002F10\u002FCredit-Justine-Olivia-Tellier-10-768x512.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2016\u002F10\u002FCredit-Justine-Olivia-Tellier-10-1024x683.jpg",1012,{"id":1165,"title":1166,"type":1057,"slug":1167,"uri":1168,"short":1169,"meta":1170,"acf":1174},22314,"PERRINE EN MORCEAUX","perrine-en-morceaux","\u002Fartist\u002Fperrine-en-morceaux","https:\u002F\u002Fdstck.club\u002F572a",{"title":1166,"description":4,"image":1171,"canonical":1173,"keywords":125},{"ID":12,"id":12,"title":13,"filename":14,"filesize":15,"url":16,"link":17,"alt":10,"author":18,"description":10,"caption":10,"name":19,"status":20,"uploaded_to":21,"date":22,"modified":22,"menu_order":21,"mime_type":23,"type":24,"subtype":25,"icon":26,"width":27,"height":28,"sizes":1172},{"thumbnail":30,"thumbnail-width":31,"thumbnail-height":31,"medium":32,"medium-width":33,"medium-height":34,"medium_large":35,"medium_large-width":36,"medium_large-height":37,"large":38,"large-width":39,"large-height":40,"1536x1536":16,"1536x1536-width":27,"1536x1536-height":28,"2048x2048":16,"2048x2048-width":27,"2048x2048-height":28,"sharing":41,"sharing-width":27,"sharing-height":42,"event":16,"event-width":27,"event-height":28,"event_medium":16,"event_medium-width":43,"event_medium-height":44,"event_small":16,"event_small-width":45,"event_small-height":46,"event_teaser":16,"event_teaser-width":27,"event_teaser-height":28,"event_teaser_medium":16,"event_teaser_medium-width":47,"event_teaser_medium-height":48,"event_teaser_small":16,"event_teaser_small-width":49,"event_teaser_small-height":50},"http:\u002F\u002Fwww.dachstock.ch\u002Fartist\u002Fperrine-en-morceaux",{"source_id":1175,"country":1176,"labels":1177,"links":1180,"text":1185,"images":1186},"22314","FR",[1178],{"name":1179},"Lentonia Records, New Los Angeles Records",[1181,1183],{"url":1182,"title":1081},"https:\u002F\u002Fwww.facebook.com\u002FPerrine-en-morceaux-58237077232\u002F",{"url":1184,"title":1087},"http:\u002F\u002Fwww.perrinenmorceaux.com","\u003Cp>PERRINE EN MORCEAUX an unclassified solo project by French artist Perrine Bailleux. Her current show and album to come RIEN (meaning ‘nothing’) is composed as one continuous restless hardpop opera. She produces uneven electronic soundscapes out of repetitive & polyrhythmic skeletons made of concrete sound recordings, she works with unsynchronized hardware loop machines, a Kaosspad, a Casio SK1 and an mbira, and uses sounds from Gristleism sound.\u003Cbr \u002F>\nIncarnated and direct, as utterly melodic as it is inhabited, her voice deploys political poetry and metaphysical anecdotes about time.\u003Cbr \u002F>\nSelf-taught musician, singer, composer, performer and writer, she signs music, albums, videos, graphics and shows. She has performed more than a hundred PEM concerts in Europe, self-released 2 albums [album n°0 ESSAIS EMISSION (2009, CD) and album n°1 CONTRE LE FUTUR (2011, USB pill)], and her third album RIEN (LP, Lentonia Records) will be release in March 2016.\u003C\u002Fp>\n\u003Cp>Perrine’s music has been described as “Kraut-Pop-Opera” and we think that sums it up properly. Perrine reminds us of everything we love about Nico, Throbbing Gristle, and Bjork without sounding like anyone but herself. She creates swirling analog textures that pulse through changing rhythms. She also uses her voice as an instrument, layering herself with different effects, singing in different languages, so as to create a overall wall of sound. We are thrilled to present Rien in North America as the first New Los International release, a series of collaborations that we have planned with like-minded labels across the globe.\u003C\u002Fp>\n",[1187],{"image":1188,"copyright":10},{"ID":1189,"id":1189,"title":1167,"filename":1190,"filesize":1191,"url":1192,"link":1193,"alt":10,"author":893,"description":10,"caption":10,"name":1167,"status":20,"uploaded_to":1165,"date":1194,"modified":1194,"menu_order":21,"mime_type":23,"type":24,"subtype":25,"icon":26,"width":1195,"height":1196,"sizes":1197},22317,"perrine-en-morceaux.jpg",740469,"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2016\u002F07\u002Fperrine-en-morceaux.jpg","https:\u002F\u002Fwww.dachstock.ch\u002Fartist\u002Fperrine-en-morceaux\u002Fperrine-en-morceaux\u002F","2016-07-19 09:46:40",1000,491,{"thumbnail":1198,"thumbnail-width":31,"thumbnail-height":31,"medium":1199,"medium-width":33,"medium-height":1200,"medium_large":1201,"medium_large-width":36,"medium_large-height":1202,"large":1192,"large-width":1195,"large-height":1196,"1536x1536":1192,"1536x1536-width":1195,"1536x1536-height":1196,"2048x2048":1192,"2048x2048-width":1195,"2048x2048-height":1196,"sharing":1192,"sharing-width":1195,"sharing-height":1196,"event":1192,"event-width":1195,"event-height":1196,"event_medium":1192,"event_medium-width":43,"event_medium-height":1203,"event_small":1192,"event_small-width":45,"event_small-height":1204,"event_teaser":1192,"event_teaser-width":1195,"event_teaser-height":1196,"event_teaser_medium":1192,"event_teaser_medium-width":47,"event_teaser_medium-height":1205,"event_teaser_small":1192,"event_teaser_small-width":49,"event_teaser_small-height":1206},"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2016\u002F07\u002Fperrine-en-morceaux-150x150.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2016\u002F07\u002Fperrine-en-morceaux-300x147.jpg",147,"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2016\u002F07\u002Fperrine-en-morceaux-768x377.jpg",377,471,283,479,287,[1208],{"id":1209,"title":1210,"type":1057,"slug":1211,"uri":1212,"short":1213,"meta":1214,"acf":1218},21961,"DJ Clausette","dj-clausette","\u002Fartist\u002Fdj-clausette","https:\u002F\u002Fdstck.club\u002F55c9",{"title":1210,"description":4,"image":1215,"canonical":1217,"keywords":125},{"ID":12,"id":12,"title":13,"filename":14,"filesize":15,"url":16,"link":17,"alt":10,"author":18,"description":10,"caption":10,"name":19,"status":20,"uploaded_to":21,"date":22,"modified":22,"menu_order":21,"mime_type":23,"type":24,"subtype":25,"icon":26,"width":27,"height":28,"sizes":1216},{"thumbnail":30,"thumbnail-width":31,"thumbnail-height":31,"medium":32,"medium-width":33,"medium-height":34,"medium_large":35,"medium_large-width":36,"medium_large-height":37,"large":38,"large-width":39,"large-height":40,"1536x1536":16,"1536x1536-width":27,"1536x1536-height":28,"2048x2048":16,"2048x2048-width":27,"2048x2048-height":28,"sharing":41,"sharing-width":27,"sharing-height":42,"event":16,"event-width":27,"event-height":28,"event_medium":16,"event_medium-width":43,"event_medium-height":44,"event_small":16,"event_small-width":45,"event_small-height":46,"event_teaser":16,"event_teaser-width":27,"event_teaser-height":28,"event_teaser_medium":16,"event_teaser_medium-width":47,"event_teaser_medium-height":48,"event_teaser_small":16,"event_teaser_small-width":49,"event_teaser_small-height":50},"http:\u002F\u002Fwww.dachstock.ch\u002Fartist\u002Fdj-clausette",{"source_id":1219,"place":1220,"country":290,"labels":1222,"links":1227,"text":1236,"images":1237,"media":1255,"files":132,"source_json":10,"source_last_import":10},"21961",[1221],{"value":289,"label":289},[1223,1225],{"name":1224},"q-u-m",{"name":1226},"Seite 69",[1228,1230,1232,1234],{"url":1229,"title":1078},"https:\u002F\u002Fsoundcloud.com\u002Fclausette",{"url":1231,"title":1081},"https:\u002F\u002Fwww.facebook.com\u002Fclausettelatrine",{"url":1233,"title":1084},"https:\u002F\u002Fwww.youtube.com\u002Fuser\u002Fclausettelatrine",{"url":1235,"title":1087},"http:\u002F\u002Fclausette.ch\u002F","\u003Cp>Die bekannteste Drag Queen von Bern ist auch als DJ grossartig. Sie mag es dabei dramatisch und dreckig. Ihre Sets sind eine Mixture aus IndieDance, Disco und Progressive House. Die Diva hinter dem DJ-Pult weiss dank Ihrer langjährigen Erfahrung im Tingeln durch Schwulenbars und Undergroundclubs genau, was die Tanzenden so richtig ins Schwitzen bringt.\u003C\u002Fp>\n",[1238],{"image":1239,"copyright":10},{"ID":1240,"id":1240,"title":1241,"filename":1242,"filesize":1243,"url":1244,"link":1245,"alt":10,"author":433,"description":10,"caption":10,"name":1246,"status":20,"uploaded_to":1209,"date":1247,"modified":1247,"menu_order":21,"mime_type":23,"type":24,"subtype":25,"icon":26,"width":1248,"height":1249,"sizes":1250},26155,"DJ-Clausette-by-Nikkol-Rot-3-e1566426574473-750x533","DJ-Clausette-by-Nikkol-Rot-3-e1566426574473-750x533.jpg",60728,"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2016\u002F06\u002FDJ-Clausette-by-Nikkol-Rot-3-e1566426574473-750x533.jpg","https:\u002F\u002Fwww.dachstock.ch\u002Fartist\u002Fdj-clausette\u002Fdj-clausette-by-nikkol-rot-3-e1566426574473-750x533\u002F","dj-clausette-by-nikkol-rot-3-e1566426574473-750x533","2019-11-24 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