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Die aus Bern stammende Mehrsprachlerin ist binnen weniger Monate und ohne große Rockstar-Posen zum Sprachrohr einer bikulturellen, diversen, gefühlsbewussten Generation junger Menschen geworden. Die Songs der 23-Jährigen verbinden Pop-Appeal mit radikaler Naivität und einer eigensinnigen Ästhetik der Unordnung. Zwischen zarten Gitarrenballaden, sehnsuchtsvollen Electronica-Flächen und wütenden Garage-House-Passagen entfaltet LEILA ihre künstlerische Perfektion meistens in den Momenten absoluter Nahbarkeit.\u003C\u002Fp>\n\u003Cp>LEILA beschönigt nicht, schöpft und überträgt ihre Energie meistens beim Blick in den Abgrund. Wenn sie einen Text schreibt, handelt er meistens von negativen Gefühlen, düsteren Fantasien und beklemmenden Realitäten – vom Strugglen und Fallen, vom Außenseiter*in- und Lost-Sein, von berechtigter Wut, unbefriedigter Sehnsucht und daraus erwachsender Hoffnung. LEILA zieht ihre selbstbewusste wie selbstreflektierte Attitude auf und abseits der Bühne aus der Ablehnung gesellschaftlicher Normen, aus seelischen und emotionalen Sackgassen, aus zermürbenden »Gun to My Head«-Momenten. Auf lyrischer Ebene schreckt die Bernerin selbst vor den aufreibendsten aller Themen nicht zurück.\u003C\u002Fp>\n\u003Cp>So erzählt ihr Song »Abused« – gehüllt in ein trügerisch legeres, beinahe Reggae-eskes Klanggerüst – von der traumatischen Erfahrung mit sexualisierter Gewalt, die unzähligen weiblich gelesenen Personen im Laufe ihres Lebens widerfährt. LEILAs Stück »Love the Game« handelt von einer toxischen Beziehung mit einem notorischen Lügner: »I don’t wanna fall into your arms, knowing they can only do me harm« – keine fiktive Geschichte, das spürt man. Paradoxerweise stehen am Ende der LEILA-typischen, künstlerischen Selbstregulation oft nahezu unbeabsichtigte Hymnen, die den Nerv unserer Zeit kaum besser treffen könnten. LEILA hat – ohne es ernsthaft auf Hits anzulegen, Musik studiert zu haben oder Noten lesen zu können – zweifelsohne ein Talent für große Melodien und mitreißende Song-Strukturen. Ihre Dramaturgien leben vom Spiel mit Kontrasten, von erfrischender Ungeplantheit, von Brüchen und antizyklischer Roughness, von spitzen Blues-Cords im pixeligen Bedroom-Pop-Gewand, vom Clash zwischen kraftvoller Klarheit und verwaschener Fluidität.\u003C\u002Fp>\n\u003Cp>Im Kosmos LEILA gleiten wohlig-warme Indie-Gitarren in harsch stampfende Techno-Beats ab; Schweineorgeln arrangieren sich mit Streichern und düsteren Störgeräuschen; tragende Drum-Spuren platzen unkonventionell spät ins Geschehen. Hier klingen kinematische Klangkulissen in ihrer Breite fast dreidimensional, da reizt LEILA nahezu exzessiv die Stille aus, dort verhallt ihr nachdrücklicher Gesang in eigensinnig getakteten Art-Pop-Phasen. Apropos Gesang: LEILAs Stimme – auch ihre eigenwillige Art, sie maximal flexibel zum Einsatz zu bringen – ist unter tausenden zu erkennen. Ob LEILA raunt oder Riot-Grrrl-esk röhrt, in kraftvollen Gesangsbögen aufblüht oder mit minimalistischen Vocal-Effekten experimentiert: Zu jeder Zeit schwingt unterschwellig eine Basslinie mit, die Fragilität, Abgeklärtheit und Extension in sich vereint. LEILA schreibt ausschließlich englischsprachige Texte – und performt sie mit einem subtil trotzigen Akzent, der in manchen Momenten an Tove Lo, Fever Ray und Dolores O’Riordan denken lässt.\u003C\u002Fp>\n\u003Cp>Artists wie diese haben LEILAs Musikverständnis nachhaltig geprägt. 2001 in Bern geboren ist sie ein Kind der Nullerjahre. Während im elterlichen Wohnzimmer Platten von Queen, Pink Floyd und Amy Winehouse rotierten, entwickelte LEILA schon in jungen Jahren eine tiefe Verbindung zur Musik von Rihanna, Justin Bieber, Lady Gaga und Miley Cyrus. Es mag auf den ersten Blick kaum zum alternativen Gestus passen, den LEILA in ihrer Kunst durchblitzen lässt, aber: Sie ist bis heute bekennender Ultra des Nuller- und Zehnerjahre-Pop. LEILA ist sich keineswegs zu cool, diese Obsession auch zum Ausdruck zu bringen – sie hat durchaus emotional regiert, als ihr Paris Hilton auf TikTok zu folgen begann oder Billie Eilish sie kürzlich zu ihren engen Instagram-Freund*innen hinzufügte.\u003C\u002Fp>\n\u003Cp>Zurück zum Lebenslauf: LEILA – bürgerlich Leila Šurkovic – ist Tochter einer Schweizer Kunsthistorikerin und eines aus Sarajevo stammenden Kunstmalers, den es infolge des Jugoslawienkriegs nach Bern verschlug. Ihrer Familie verdankt LEILA ihr Kunstverständnis, ihre Weltgewandtheit, gewissermaßen auch ihre Mulitlingualität. Als Schweizerdeutsch-, Englisch-, Hochdeutsch-, Französisch- und Bosnisch-sprechende Person und Künstlerin mit spürbar internationalem Sound ist LEILA Aushängeschild einer neuen bikulturellen Generation. Ihre ersten englischen Songtexte schrieb sie im Alter von zwölf, in ihrer Jugendzeit war sie als Gitarristin in verschiedenen Schülerbands aktiv. Mithilfe ihrer Gitarre wuchsen später auch die ersten ernstzunehmenden Track-Skizzen, die LEILA mit dem Handy im Keller ihres Elternhauses aufnahm.\u003C\u002Fp>\n\u003Cp>Das gereifte Solostück »Irrational« stellte LEILA im Januar 2021 auf eigene Faust ins Internet – in ihrer Heimatstadt Bern trat schon dieser allererste Song einen kleinen Lockdown-Hype los. Im Zusammenspiel mit Nemo Mettler – ja, ganz genau, Eurovision Song Contest und so – entstand im direkten Anschluss LEILAs bisher größte, millionenfach gestreamte Single »Gun To My Head«. Das Stück ging ohne jeglichen professionellen Support im gesamten deutschsprachigen Raum viral, katapultierte LEILA in etliche Playlisten und die Stammbesetzung der Schweizer Popband Jeans for Jesus. Im Rahmen der Bandshows sammelte sie an der Gitarre Erfahrungen auf großen Bühnen, in den Jeans-for-Jesus-Sets spielte sie ihre frühen Solosongs erstmals vor großem Publikum. Nach Abschluss ihrer Ausbildung zur Grafikerin unterschrieb LEILA im Sommer 2023 beim von Herbert Grönemeyer geführten Indie-Label GROENLAND RECORDS. Hier erschien wenige Monate später ihr siebtanteiliges Debüt »Burnout« – eine kompakte Bündelung aller bis dato erschienenen Songs, die LEILA prompt auf die von Amazon Music kuratrierte »Newcomer To Watch 2024«-Liste beförderte.\u003C\u002Fp>\n\u003Cp>Eine erste erfolgreiche Solo-Tournee, ein paar Support-Shows für KAFFKIEZ und eine Coverversion des Miley-Cyrus-Klassikers »Mother’s Daughter« später erschien mit »copypaste« im April 2024 der erste Vorbote der anstehenden zweiten LEILA-EP »Generation«. Sie soll im Anschluss an den diesjährigen Festivalsommer veröffentlicht werden, in dem LEILA binnen weniger Wochen auf fünfundzwanzig verschiedene Bühnen stehen wird. Die neue EP ist – die zusammengehörigen Projekttitel »Burnout« und »Generation« sind so gesehen ein Wink mit dem Zaunpfahl – als direkte Weiterführung der Debüt-EP und deren vornehmlich düsteren Grundstimmung zu verstehen. Auf inhaltlicher Ebene gehen »Burnout« und »Generation« sowieso Hand in Hand, kreist LEILA lyrisch doch auf beiden Projekten um die großen Themen, die ihre Altersgruppe im Jetzt beschäftigen. Es geht um Einflusslosigkeit und Lethargie, um schnelles\u003C\u002Fp>\n\u003Cp>Erwachsenwerden und zähes inneres Ausbrennen, um Leistungs-, Entscheidungs- und Performance-Druck, um die verzweifelte Suche nach dem eigenen Platz in einer wirren Welt.\u003C\u002Fp>\n\u003Cp>LEILA wird die Veröffentlichung ihrer zweiten EP am 4.10. im Rahmen einer Headliner-Show Mitte Oktober gebührend feiern. »Burnout« und »Generation« erscheinen zeitgleich bei GROENLAND RECORDS als Doppel-EP auf Vinyl.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n","Bern ",[1163],{"image":1164,"copyright":1194},{"ID":1165,"id":1165,"title":1166,"filename":1167,"filesize":1168,"url":1169,"link":1170,"alt":10,"author":718,"description":10,"caption":10,"name":1171,"status":20,"uploaded_to":1149,"date":1172,"modified":1172,"menu_order":21,"mime_type":23,"type":24,"subtype":25,"icon":26,"width":1173,"height":1174,"sizes":1175},32179,"LEILA-Pressebilder-YumaGreco_MG_0841","LEILA-Pressebilder-YumaGreco_MG_0841-scaled-e1778054851173.jpg",386390,"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2023\u002F08\u002FLEILA-Pressebilder-YumaGreco_MG_0841-scaled-e1778054851173.jpg","https:\u002F\u002Fwww.dachstock.ch\u002Fartist\u002Fleila\u002Fleila-pressebilder-yumagreco_mg_0841\u002F","leila-pressebilder-yumagreco_mg_0841","2026-05-06 08:07:00",1829,1318,{"thumbnail":1176,"thumbnail-width":31,"thumbnail-height":31,"medium":1177,"medium-width":33,"medium-height":1178,"medium_large":1179,"medium_large-width":36,"medium_large-height":1180,"large":1181,"large-width":39,"large-height":1182,"1536x1536":1183,"1536x1536-width":1131,"1536x1536-height":1184,"2048x2048":1185,"2048x2048-width":1186,"2048x2048-height":1135,"sharing":1187,"sharing-width":27,"sharing-height":42,"event":1188,"event-width":1138,"event-height":1139,"event_medium":1189,"event_medium-width":43,"event_medium-height":1141,"event_small":1190,"event_small-width":45,"event_small-height":1143,"event_teaser":1191,"event_teaser-width":233,"event_teaser-height":234,"event_teaser_medium":1192,"event_teaser_medium-width":236,"event_teaser_medium-height":48,"event_teaser_small":1193,"event_teaser_small-width":238,"event_teaser_small-height":50},"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2023\u002F08\u002FLEILA-Pressebilder-YumaGreco_MG_0841-scaled-e1778054851173-150x150.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2023\u002F08\u002FLEILA-Pressebilder-YumaGreco_MG_0841-scaled-e1778054851173-300x216.jpg",216,"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2023\u002F08\u002FLEILA-Pressebilder-YumaGreco_MG_0841-scaled-e1778054851173-768x553.jpg",553,"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2023\u002F08\u002FLEILA-Pressebilder-YumaGreco_MG_0841-scaled-e1778054851173-1024x738.jpg",738,"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2023\u002F08\u002FLEILA-Pressebilder-YumaGreco_MG_0841-scaled-e1778054851173-1536x1107.jpg",1107,"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2023\u002F08\u002FLEILA-Pressebilder-YumaGreco_MG_0841-1463x2048.jpg",1463,"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2023\u002F08\u002FLEILA-Pressebilder-YumaGreco_MG_0841-scaled-e1778054851173-1200x675.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2023\u002F08\u002FLEILA-Pressebilder-YumaGreco_MG_0841-scaled-e1778054851173-1920x1080.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2023\u002F08\u002FLEILA-Pressebilder-YumaGreco_MG_0841-scaled-e1778054851173-960x540.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2023\u002F08\u002FLEILA-Pressebilder-YumaGreco_MG_0841-scaled-e1778054851173-576x324.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2023\u002F08\u002FLEILA-Pressebilder-YumaGreco_MG_0841-scaled-e1778054851173-1960x1410.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2023\u002F08\u002FLEILA-Pressebilder-YumaGreco_MG_0841-scaled-e1778054851173-980x705.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2023\u002F08\u002FLEILA-Pressebilder-YumaGreco_MG_0841-scaled-e1778054851173-588x423.jpg","Simon Habegger",[1196,1198,1200],{"url":1197},"\u003Ciframe title=\"LEILA - Blue (Official Video)\" width=\"300\" height=\"169\" src=\"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FzzbiQVtqgaY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; 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The angel wearing sunglasses at night, the mysterious mistress with a veiled face. Her hidden identity makes her a universal icon because “with no face, there could be a little bit of M¥SS in each of us”. Situationist and unconventional, she is always at the forefront in debates related to civil rights, gender equality and the LGBTQ+ world.\u003Cbr \u002F>\nM¥SS KETA’s music approaches pop and rap with a strong electro component, a sharp punk attitude combined with ironic and irreverent lyrics on our contemporary world, its contradictions and what happens out there or in the darkness of a club.\u003Cbr \u002F>\nIn these years she has set the major Italian and European stages on fire, from Berghain in Berlin to the Ariston Theater in Sanremo, in a riot mix of electro, house, rap, dubstep that seems generated by her own body. A true goddess of the night that hypes up her devotee through her sacrilegious, excessive and radically hyperrealistic words.\u003Cbr \u002F>\nLast May 2023 the artist celebrated, with an exclusive live held at ALCATRAZ (one of the most important Milanese gigs venues), the 10th anniversary of her debut single “MILANO SUSHI & COCA”, the song that immediately consecrated her the contemporary Milanese Diva, symbol of LGBTQ+ community in Milan.\u003Cbr \u002F>\nThroughout her career, M¥SS KETA has released three albums: “UNA VITA IN CAPS LOCK” (2018), “PAPRIKA”(2019) which includes “PAZZESKA” an iconic hit certified Gold. Her latest album “CLUB TOPPERIA” (2022) earned 435 MLN total streams, and the single “FINIMONDO” was certified Double Platinum.\u003Cbr \u002F>\nAs a multifaceted artist, M¥SS also published her autobiographical book “UNA DONNA CHE CONTA” (2018) in which she recounts the life and evolution of her controversial and spectacular figure.\u003Cbr \u002F>\nIn May 2023, she released the song “PROFUMO” which was followed by the PROFUMO TOUR 2023 that took her to perform live on stages throughout Italy. During autumn 2023 she traveled all around the continent with her European Tour and her original song “CONDANNATA A DANZARE” featured in Maccio Capatonda’s movie “Il migliore dei mondi”.\u003Cbr \u002F>\nIn 2025 the masked italian queen is hitting the stage for her explosive new tour, riding the wave of her groundbreaking upcoming album. M¥SS KETA’s “TOUR.” is set to light up the night bringing her electrifying new era on stage and showcasing her signature blend of hypnotic beats, rebellious spirit, and avant-garde performance art.\u003C\u002Fp>\n","Milano",[1223],{"image":1224,"copyright":10},{"ID":1225,"id":1225,"title":1226,"filename":1227,"filesize":1228,"url":1229,"link":1230,"alt":10,"author":718,"description":10,"caption":10,"name":1231,"status":20,"uploaded_to":1210,"date":1232,"modified":1232,"menu_order":21,"mime_type":23,"type":24,"subtype":25,"icon":26,"width":1233,"height":1234,"sizes":1235},32307,"ph Antonio Giancaspro 2_horiz","ph-Antonio-Giancaspro-2_horiz-scaled.jpg",265596,"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2026\u002F06\u002Fph-Antonio-Giancaspro-2_horiz-scaled.jpg","https:\u002F\u002Fwww.dachstock.ch\u002Fartist\u002Fm%c2%a5ss-keta\u002Fph-antonio-giancaspro-2_horiz\u002F","ph-antonio-giancaspro-2_horiz","2026-06-11 15:11:24",2560,1798,{"thumbnail":1236,"thumbnail-width":31,"thumbnail-height":31,"medium":1237,"medium-width":33,"medium-height":1238,"medium_large":1239,"medium_large-width":36,"medium_large-height":1240,"large":1241,"large-width":39,"large-height":1242,"1536x1536":1243,"1536x1536-width":1131,"1536x1536-height":1244,"2048x2048":1245,"2048x2048-width":1135,"2048x2048-height":1246,"sharing":1247,"sharing-width":27,"sharing-height":42,"event":1248,"event-width":1138,"event-height":1139,"event_medium":1249,"event_medium-width":43,"event_medium-height":1141,"event_small":1250,"event_small-width":45,"event_small-height":1143,"event_teaser":1251,"event_teaser-width":233,"event_teaser-height":234,"event_teaser_medium":1252,"event_teaser_medium-width":236,"event_teaser_medium-height":48,"event_teaser_small":1253,"event_teaser_small-width":238,"event_teaser_small-height":50},"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2026\u002F06\u002Fph-Antonio-Giancaspro-2_horiz-150x150.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2026\u002F06\u002Fph-Antonio-Giancaspro-2_horiz-300x211.jpg",211,"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2026\u002F06\u002Fph-Antonio-Giancaspro-2_horiz-768x539.jpg",539,"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2026\u002F06\u002Fph-Antonio-Giancaspro-2_horiz-1024x719.jpg",719,"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2026\u002F06\u002Fph-Antonio-Giancaspro-2_horiz-1536x1079.jpg",1079,"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2026\u002F06\u002Fph-Antonio-Giancaspro-2_horiz-2048x1439.jpg",1439,"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2026\u002F06\u002Fph-Antonio-Giancaspro-2_horiz-1200x675.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2026\u002F06\u002Fph-Antonio-Giancaspro-2_horiz-1920x1080.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2026\u002F06\u002Fph-Antonio-Giancaspro-2_horiz-960x540.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2026\u002F06\u002Fph-Antonio-Giancaspro-2_horiz-576x324.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2026\u002F06\u002Fph-Antonio-Giancaspro-2_horiz-1960x1410.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2026\u002F06\u002Fph-Antonio-Giancaspro-2_horiz-980x705.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2026\u002F06\u002Fph-Antonio-Giancaspro-2_horiz-588x423.jpg",[1255,1257,1259],{"url":1256},"\u003Ciframe title=\"M¥SS KETA - SINNER (Visual)\" width=\"300\" height=\"169\" src=\"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002Fva6_C0mijCs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003C\u002Fiframe>",{"url":1258},"\u003Ciframe title=\"M¥SS KETA - PAZZESKA ft. Guè\" width=\"300\" height=\"169\" src=\"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FkMcd_QwRLMk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003C\u002Fiframe>",{"url":1260},"\u003Ciframe title=\"M¥SS KETA - FINIMONDO\" width=\"300\" height=\"169\" src=\"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FeC0f9G6Lm68?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003C\u002Fiframe>",[1262,1264,1266],{"url":1263,"title":1205},"https:\u002F\u002Fwww.instagram.com\u002Fmyss.keta\u002F?hl=de",{"url":1265,"title":1208},"https:\u002F\u002Fmyssketa.club",{"url":10,"title":1208},{"id":1268,"title":1269,"type":1151,"slug":1270,"uri":1271,"short":1272,"meta":1273,"acf":1277},31328,"Tsushimamire","tsushimamire","\u002Fartist\u002Ftsushimamire","https:\u002F\u002Fdstck.club\u002F7a60",{"title":1269,"description":4,"image":1274,"canonical":1276,"keywords":125},{"ID":12,"id":12,"title":13,"filename":14,"filesize":15,"url":16,"link":17,"alt":10,"author":18,"description":10,"caption":10,"name":19,"status":20,"uploaded_to":21,"date":22,"modified":22,"menu_order":21,"mime_type":23,"type":24,"subtype":25,"icon":26,"width":27,"height":28,"sizes":1275},{"thumbnail":30,"thumbnail-width":31,"thumbnail-height":31,"medium":32,"medium-width":33,"medium-height":34,"medium_large":35,"medium_large-width":36,"medium_large-height":37,"large":38,"large-width":39,"large-height":40,"1536x1536":16,"1536x1536-width":27,"1536x1536-height":28,"2048x2048":16,"2048x2048-width":27,"2048x2048-height":28,"sharing":41,"sharing-width":27,"sharing-height":42,"event":16,"event-width":27,"event-height":28,"event_medium":16,"event_medium-width":43,"event_medium-height":44,"event_small":16,"event_small-width":45,"event_small-height":46,"event_teaser":16,"event_teaser-width":27,"event_teaser-height":28,"event_teaser_medium":16,"event_teaser_medium-width":47,"event_teaser_medium-height":48,"event_teaser_small":16,"event_teaser_small-width":49,"event_teaser_small-height":50},"http:\u002F\u002Fwww.dachstock.ch\u002Fartist\u002Ftsushimamire",{"text":1278,"place":1279,"country":10,"labels":132,"images":1280,"media":1305,"links":1308,"files":132,"source_id":10,"source_json":10,"source_last_import":10},"\u003Cp>Verspielter und doch brachialer japanischer Punk wird mit einer unheimlicher Spiellust und Präsenz auf die EG-Bühne getragen. Kultureller Austausch mit Harke. Zollfrei und laut.\u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n\u003Cp> \u003C\u002Fp>\n","Tokyo",[1281],{"image":1282,"copyright":10},{"ID":1283,"id":1283,"title":1284,"filename":1285,"filesize":1286,"url":1287,"link":1288,"alt":10,"author":718,"description":10,"caption":10,"name":1284,"status":20,"uploaded_to":1268,"date":1289,"modified":1289,"menu_order":21,"mime_type":23,"type":24,"subtype":25,"icon":26,"width":1290,"height":1291,"sizes":1292},31329,"tsmmr_artistphoto_blue","tsmmr_artistphoto_blue.jpg",306560,"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2025\u002F08\u002Ftsmmr_artistphoto_blue.jpg","https:\u002F\u002Fwww.dachstock.ch\u002Fartist\u002Ftsushimamire\u002Ftsmmr_artistphoto_blue\u002F","2025-08-27 15:44:56",1567,1045,{"thumbnail":1293,"thumbnail-width":31,"thumbnail-height":31,"medium":1294,"medium-width":33,"medium-height":34,"medium_large":1295,"medium_large-width":36,"medium_large-height":37,"large":1296,"large-width":39,"large-height":40,"1536x1536":1297,"1536x1536-width":1131,"1536x1536-height":39,"2048x2048":1287,"2048x2048-width":1290,"2048x2048-height":1291,"sharing":1298,"sharing-width":27,"sharing-height":42,"event":1299,"event-width":1138,"event-height":1139,"event_medium":1300,"event_medium-width":43,"event_medium-height":1141,"event_small":1301,"event_small-width":45,"event_small-height":1143,"event_teaser":1302,"event_teaser-width":233,"event_teaser-height":234,"event_teaser_medium":1303,"event_teaser_medium-width":236,"event_teaser_medium-height":48,"event_teaser_small":1304,"event_teaser_small-width":238,"event_teaser_small-height":50},"https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2025\u002F08\u002Ftsmmr_artistphoto_blue-150x150.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2025\u002F08\u002Ftsmmr_artistphoto_blue-300x200.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2025\u002F08\u002Ftsmmr_artistphoto_blue-768x512.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2025\u002F08\u002Ftsmmr_artistphoto_blue-1024x683.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2025\u002F08\u002Ftsmmr_artistphoto_blue-1536x1024.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2025\u002F08\u002Ftsmmr_artistphoto_blue-1200x675.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2025\u002F08\u002Ftsmmr_artistphoto_blue-1920x1080.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2025\u002F08\u002Ftsmmr_artistphoto_blue-960x540.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2025\u002F08\u002Ftsmmr_artistphoto_blue-576x324.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2025\u002F08\u002Ftsmmr_artistphoto_blue-1960x1410.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2025\u002F08\u002Ftsmmr_artistphoto_blue-980x705.jpg","https:\u002F\u002Fapi.dachstock.ch\u002Fwp-content\u002Fuploads\u002F2025\u002F08\u002Ftsmmr_artistphoto_blue-588x423.jpg",[1306],{"url":1307},"\u003Ciframe title=\"TsuShiMaMiRe - Full Performance (Live on KEXP)\" width=\"300\" height=\"169\" src=\"https:\u002F\u002Fwww.youtube.com\u002Fembed\u002FdCQ6PIqLHME?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen>\u003C\u002Fiframe>",[1309,1311],{"url":1310,"title":1208},"https:\u002F\u002Fopen.spotify.com\u002Fintl-de\u002Fartist\u002F2sfE9wBQnqpFNgWZnL06fd",{"url":1312,"title":1205},"https:\u002F\u002Fwww.instagram.com\u002Ftsmmr_jp\u002F?hl=de",{"id":1314,"title":1315,"type":1151,"slug":1316,"uri":1317,"short":1318,"meta":1319,"acf":1323},737,"DIE TOTEN CRACKHUREN IM KOFFERRAUM","die-toten-crackhuren-im-kofferraum","\u002Fartist\u002Fdie-toten-crackhuren-im-kofferraum","https:\u002F\u002Fdstck.club\u002F2e1",{"title":1315,"description":4,"image":1320,"canonical":1322,"keywords":125},{"ID":12,"id":12,"title":13,"filename":14,"filesize":15,"url":16,"link":17,"alt":10,"author":18,"description":10,"caption":10,"name":19,"status":20,"uploaded_to":21,"date":22,"modified":22,"menu_order":21,"mime_type":23,"type":24,"subtype":25,"icon":26,"width":27,"height":28,"sizes":1321},{"thumbnail":30,"thumbnail-width":31,"thumbnail-height":31,"medium":32,"medium-width":33,"medium-height":34,"medium_large":35,"medium_large-width":36,"medium_large-height":37,"large":38,"large-width":39,"large-height":40,"1536x1536":16,"1536x1536-width":27,"1536x1536-height":28,"2048x2048":16,"2048x2048-width":27,"2048x2048-height":28,"sharing":41,"sharing-width":27,"sharing-height":42,"event":16,"event-width":27,"event-height":28,"event_medium":16,"event_medium-width":43,"event_medium-height":44,"event_small":16,"event_small-width":45,"event_small-height":46,"event_teaser":16,"event_teaser-width":27,"event_teaser-height":28,"event_teaser_medium":16,"event_teaser_medium-width":47,"event_teaser_medium-height":48,"event_teaser_small":16,"event_teaser_small-width":49,"event_teaser_small-height":50},"http:\u002F\u002Fwww.dachstock.ch\u002Fartist\u002Fdie-toten-crackhuren-im-kofferraum",{"source_id":1324,"country":1001,"links":1325,"text":1331,"images":1332,"place":10,"labels":132,"media":1363,"files":132,"source_json":10,"source_last_import":10},"737",[1326,1329],{"url":1327,"title":1328},"https:\u002F\u002Fwww.facebook.com\u002Fthetchik","Facebook",{"url":1330,"title":1208},"http:\u002F\u002Fwww.thetotencrackhurenimkofferraum.de","\u003Cp>Nedja Triebeltäter: Fleischereifachverkäuferin aus Wildau, Brandenburg. Laut, taff und Deutschlands jüngste Teenimutter 199\u003Cspan class=\"text_exposed_show\">6 !\u003C\u002Fspan>\u003C\u002Fp>\n\u003Cp>The Toten Crackhuren im Kofferraum (abgekürzt The T.C.H.I.K.) sind eine Elektro-Schlager-Punk-Pop-Trash Band aus Berlin. Sie sind Deutschlands einzige und letzte Riot-Girl-Band.\u003C\u002Fp>\n\u003Cp>Die 2005 in Berlin gegründete Band tritt mit 3 Sängerinnen (Luise Fuckface, Kristeenager, Netja Triebeltäter), einer wechselnden Anzahl an Tänzerinnen (Stehfanje, Doreen, Nura, Tanna Biertier und Lynn Love etc.) und drei Männern aka “Toy-Boys” als Begleitmusiker auf.\u003C\u002Fp>\n\u003Cp>Luise Fuckface (Lulu): Ausgebildete Finanzbuchhalterin, muss immer noch verarbeiten, dass es früher nur für eine Reitkuh gereicht hat.\u003C\u002Fp>\n\u003Cp>Schon kurz nach der Gründung wurde das Kollektiv vom Frontpage–Gründer Jürgen Lahrmann entdeckt und beraten, man trennt sich aber rasch wieder um eigene und unabhängige Wege zu gehen. The TCHIK vernetzen sich nun ohne fremden Einfluss erstaunlich erfolgreich über soziale Netzwerke und charmante Lo-Fi Auftritte mit einer rasch wachsenden Gefolgschaft aus Fans und gleichgesinnten Bands. Daneben organisiert das Trash-Kollektiv auch erfolgreich Party-Reihen, produziert die ersten Aufnahmen in Eigenregie und bringt eine selbst produzierte Schlüpferkollektion unter´s Volk.\u003C\u002Fp>\n\u003Cp>Stehfanje: Sie ist nur in der Band um ihre Eltern zu schockieren. Hat leider nicht geklappt…\u003C\u002Fp>\n\u003Cp>Im Sommer 2008 werden Beat Gottwald vom „Beat the Rich“ Management (u.a. KIZ, Casper und Kraftklub) und Musikproduzent Archi Alert (u.a. KIZ, Terrorgruppe, The Movement und The Creetins) auf die Band aufmerksam. Zusammen mit Luise entsteht eine kreative Chaos-Troika mit dem Etappenziel: Debüt-Album.\u003C\u002Fp>\n\u003Cp>Die „Crackhuren“ werden bald auf ihre erste grosse Tournee als Vorgruppe von K.I.Z. eingeladen. Deren Publikum reagiert von Tag zu Tag unterschiedlich, mal respektlos oder sogar offen feindlich, mal “big-up” abfeiern des Supports. Es wird für alle Beteiligten immer deutlicher, The T.C.H.I.K. polarisieren und dieser Umstand machte das Unternehmen Debütalbum nur noch spannender. Neben den zahlreichen Live-Shows wird das gesamte Jahr 2009 mit Aufnahmen verbracht.\u003C\u002Fp>\n\u003Cp>Kristeenager: War mal ein sogenanntes Wunderkind. Klavier, Sprachen etc. Dank Neurodermitis auf Cortison hängengelieben. Jetzt reicht’s nur noch für die Crackuren\u003C\u002Fp>\n\u003Cp>Im September 2010 erscheint beim Label „Beat The Rich“ im Universal-Vertrieb das erste Album “Jung, talentlos & gecastet” mit den Singles “Ich und mein Pony” sowie “Ronny & Clyde”, die Videos zu den Singles bringen es auf mehrere Millionen Clip-Views, Rotationen bei Jugendradiosendern wie RBB, Radio Fritz usw… und Rotationen auf MTV und die Band startet ihre „Ochsentour“ mit 150 Stationen in Deutschland, Österreich und Schweiz. Langsam wird aus den betrunkenen „Hops-Mädchen“ eine energetische, souveräne und unterhaltende Live-Band.\u003C\u002Fp>\n\u003Cp>Doreen: Tourte mit einem Wanderzirkus durch Europa\u003C\u002Fp>\n\u003Cp>Zwischen den einzelnen Tournee-Abschnitten bastelt die Band schon an neuen Titeln für ein zweites Album und an den Folgen ihrer ersten eigenen kleinen Radioshow „Asozial Engagiert“ auf Reboot.fm (Freies Künstlerradio Berlin 88,4 MHz bzw. 90,7 MHz Potsdam), die sich schnell zu einer der beliebtesten Shows auf diesem Sender entwickelt.\u003C\u002Fp>\n\u003Cp>Nura: Studiert Philosophie und Germanistik\u003C\u002Fp>\n\u003Cp>Eigentlich läuft bis zum Jahr 2012 alles gut, aber die Band fühlt sich durch Anforderungen und Normierungen von Seiten des Vertriebs zu sehr in eine falsche und eindimensionale Ecke gedrängt. Erst nachdem Anfang 2013 mit Destiny Records (eine der ältesten und weiterhin erfolgreich aktiven deutschen Punk-Plattenfirmen) auch ein passendes Label gefunden wird, stehen wieder alle Zeichen auf Sturm und das Unternehmen zweites Album kann in Angriff genommen werden.\u003C\u002Fp>\n\u003Cp>Tanna Biertier: Was Tanna macht, weiß niemand so genau. Es ist auf jeden Fall seriös und hat was mit Bier zu tun.\u003C\u002Fp>\n\u003Cp>„Mama Ich Blute“ nennt sich das neue Album, welches am 26.Juli 2013 erscheinen wird. Die erste Single „Klaus“ erschien schon am 19. April in digitaler Form und seit 13. September ist die 2te Single “Ich brauch keine Wohnung” in digitaler Form im Handel. 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