Over the course of eleven albums – not to mention an avalanche of side projects, remixes and collaborations – Jan St Werner and Andi Toma of Mouse On Mars established themselves as two of the most inventive and unpredictable artists in electronic music.

“The most marvelous aspect of Mouse on Mars’ resurgence is that, similar to how their music has sounded to the uninitiated over the years, it doesn’t make any sense. As Mark Richardson pointed out in his review of Parastrophics, many of Mouse on Mars’ contemporaries have long since bitten the dust, but the duo’s constant quest for self-innovation has afforded them just the right amount of relevance, even when it seems like the convergence between their current path and trends in modern music is purely coincidental. They’re still tinkering with their sound, and Spezmodia is the latest evidence that it’s nearly impossible for Mouse on Mars not to make fascinating, truly exciting music.” Pitchfork